23,647 Royalty-Free Audio Tracks for "Midi Files Of Opera Music"

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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.
Author: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.
Author: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.
Author: Hyacinth
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Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.
Author: Hyacinth
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00:19
Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.
Author: Hyacinth
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00:07
C triad open position.
Author: Hyacinth (talk)
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00:19
Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.
Author: Hyacinth
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C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.
Author: Hyacinth at en.wikipedia
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00:19
Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.
Author: Hyacinth
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00:21
Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.
Author: Hyacinth
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Hippopotamus rhythm
Author: Created by Hyacinth (talk) using Sibelius 5.
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7-36ZB heptachord on C
Author: Hyacinth
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00:20
Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.
Author: Hyacinth
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01:46
Du holde Kunst
Author: Franz Schubert (audio file: Rabanus Flavus)
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00:36
Beginning of the adagio of Franz Schubert's piano fantasia D.760 Début de l'adagio de la fantaisie pour piano D.760 de Franz Schubert
Author: Romainbehar
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Diminished seventh chord as incomplete ninth in C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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Ninth vs added-ninth chord.
Author: Created by Hyacinth (talk) 12:46, 2 July 2011 (UTC) using Sibelius 5.
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03:40
Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).
Author: Singers: Enrico Caruso (1873–1921), tenor Marcel Journet (1867–1933), bass Frieda Hempel (vocalist: soprano vocal) Maria Duchêne (vocalist: contralto) Andrés de Segurola (vocalist: bass vocal) Léon Rothier (vocalist: bass vocal) Composer: Charles Gounod (1818–1893)
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The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
Author: Emmy Destinn (1878-1930), soprano Antonín Dvořák ( Rusalka - Lieblicher Mond
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04:19
The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from act 1 of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details
Author: Untitled
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Thomas Roseingrave: Gigue.
Author: midi sequence by Ricardo André Frantz (User:Tetraktys)
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01:49
Johannes Ockeghem: Ma bouche rit.
Author: midi sequence by Ricardo André Frantz (User:Tetraktys)
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Johann Sebastian Bach, Kantate 87:6, Tenorarie Ich will leiden, ich will schweigen
Author: Johann Sebastian Bach (sound file: Rabanus Flavus)
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Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.
Author: Hyacinth
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Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.
Author: Hyacinth
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Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.
Author: Hyacinth
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Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.
Author: Hyacinth
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Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.
Author: Hyacinth
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Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.
Author: Hyacinth
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Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.
Author: Hyacinth
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Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.
Author: Hyacinth
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Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.
Author: Hyacinth
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One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.
Author: Hyacinth
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Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.
Author: Hyacinth
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Ratio between pitch and length of an organ pipe: octaves.
Author: Hyacinth
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Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.
Author: Hyacinth
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Samson et Dalila, Op. 47: "Danse Bacchanale" performed by the Concert Band of the United States Air Force Band. Track 7 from French Impressions (2000).[1][2]
Author: Untitled
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Barbershop bell chord. Pitch bend matches just intervals.
Author: Hyacinth
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First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement
Author: Untitled
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Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110
Author: Ludwig van Beethoven
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Ausschnit aus Beethovens Klaviersonate c-Moll, op. 10/1
Author: Untitled
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Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.
Author: Hyacinth
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Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.
Author: Performance U.S. Marine Band, under the directorship of LtCol William F[rederick Henry] Santelmann (1909–1984) Compostition: Charles-François Gounod (composer, 1818–1893) Paul Jules Barbier (lyricist, 1825–1901) Michel Carré (lyricist, 1821–1872) This piece, of course, does not contain any lyrics, but the lyricists are given for completeness' sake.
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Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png
Author: Created by Hyacinth (talk) 16:48, 6 November 2011 (UTC) using Sibelius 5
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Ah je ris de me voir si belle en ce miroir (air des bijoux) de l'opéra Faust composé par Charles Gounod (1818-1893), livret de Jules Barbier (1825-1901) et Michel Carré (1821-1872) interprété par Nellie Melba (1861-1931) en 1910.Ah je ris de me voir si belle en ce miroir (jewels'aria), Faust by Charles Gounod (1818-1893), performed in 1910 by Nellie Melba (1861-1931).
Author: Charles Gounod (1818-1893), Jules Barbier, Michel Carré, Nellie Melba (1861-1931).
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